Into The Wild – Wilderness Cinematography


I have a passion for the outdoors and try to explore it’s vastness as often as possible. For the last few years, I have tried to work in as many road trips that time has allowed. I’ve managed to explore many impressive locations such as Prince Albert National Park, Flathead National Forest, Glacier National Park, Lolo National Forest, Clearwater National Forest, Kootenai National Forest, Kaniksu National Forest, Colville National Forest, Jasper National Park, and many Provincial and Regional Parks through Saskatchewan as well as the rest of Canada. The video above features some of the footage from last year.

Carvings By Wes


While on Vancouver Island, I came across Wes, a carver. I was intrigued by the work he was producing and immediately asked if I could do a short piece on him. His immediate response was sure as long as I didn’t do an interview with him! Really wish I could have as he was a cool fellow.

Instead of the interview, he insisted I include this write-up he created on the spot.

“My Name is Wes Reierson. I was raised in Quesnel, BC. I spent years carving along the Frazer River. I became an electrician and worked at that for 30 years while carving in my spare time. Now I reside in Victoria, BC. While here, Emily Carr has become my inspiration. I do most of my carving in the same place she hung out on the beach. Now all I do is carve mostly to put smiles and happiness into other people. The Norwegian Wizard is what I started with and I have now produced more than 3000 of them”.

Here is a short poem he also wrote:


Life is short
We all should know
for in it lives
a tree troll

I am Norwegian
This I know
I carve a Wizard
From my soul

It has eyes
They just don’t show
They follow you
Wherever you go

Hang a wizard on your wall
Norwegian stand tall

Having carved over 3000 Wizards, I aspire to accomplish as much as this man has in one life time. His experience comes across in everything he carves and it is easy to see all the good and hard times he has faced. It was a pleasure to share only a few moments with a man so passionate about his work.

Blog: Building Your Kit | The 3MS+ Gear List


I remember the feeling of being a budding filmmaker. The ONLY thing on my mind was purchasing my first camera. However, being a student, I knew that there was no way I would ever be able to afford one when in school. At the time, a friend of mine, Nils Sorensen had a Panasonic HVX200 and I was blown away by the short films he was producing. I wanted one of these cameras!


I was debating between the Sony EX1 and the Panasonic HVX200 but did not really understand the difference. I read posts after posts talking about the differences of both and watching hundreds of online videos. I would easily say that seeing someone I knew use the camera is what really sold me on buying the HVX200. I turned to my parents for support. Although reluctant at first, they ended up lending me money for my first HD camera and the rest was history. If it wasn’t for my parents, I would not be were I am today.

A constant question going through many people’s mind is whether or not to wait for the camera that is just around the corner. For people waiting for the next best thing, there is no point! Why not buy now and start making art now. Technology will always be improving and it is only one element in the filmmaking process. If the story and concept are rock solid, what gear you use to capture it really does not matter!


I purchased my first HD camera in 2005. Having just made such a huge investment (at the time), I felt that I had to use it frequently to justify purchasing it. I started shooting almost every day.


I think the most fascinating thing about purchasing gear is the obsession that inevitably follows. After purchasing the HVX200, I immediately wanted more gear. First, you loath for the gear your friends have, then you look towards others creating similar works in the industry, and then you want it all.


When starting out, borrowing gear is key. My biggest recommendation is to make friends with people that have gear. I still borrow gear from friends that have equipment that I wish I had! Building relationships is key in film.


I started out the 3MS+ project with only the Panasonic HVX200. I had no tripod. I had no sound gear. Only the camera! During the project however, I was given some free gear, which helped out tremendously! Alan Fullerton and Morris Hill Pictures gave me free tripods and Philip Bloom gave me a version two kessler pocket dolly. After the HVX200 I got the Canon 7D with 18-135mm kit lens (which I used in conjunction with the HVX200 and Nikon D80 for over half of the films) and near the end of the project, managed to purchase my Canon 5D Mark II kit.


Canon 5D Mark II
Canon 7D
Panasonic HVX200
Nikon D80


24-105mm 4.0L
70-200mm II 2.8L
14mm II 2.8L
50mm 1.2L


Miller DS20


Although not my complete look at all my current gear, the list above is a snapshot of the gear I used for the first year of 3MS+. If I was asked to provide advice to others starting out with no gear, the biggest word of advice is relationship building. The key, when there is no such thing as a budget or parents to lend you money, is being able to borrow gear. I started out with one camera and because of being able to borrow gear, I was able to make money to purchase more gear. If it wasn’t for the support system I had in place, I would not have been able to finish 3MS+.