Essentials when Choosing Your Wedding Photographer

emilyexoncalgaryphotographerGetting married is considered by many as a very special occasion. After all, it’s not like that you get married every day. In fact, for most people, getting married is a once in a lifetime occasion which is why they have to make the most of it by making it considerably a very special momentous occasion. Of course, one of the best ways in remembering the occasion is through photographs taken during the event. Wedding pictures are important because this is the only way you can get a glimpse of some of the moments during the wedding that are frozen in time.

When hiring a wedding photographer, it is important to keep in mind that the cheapest rates will not exactly yield the best results. They are cheap because their equipment and skills are not on part with most of the professionals. While most wedding photographers do not do this profession on a fulltime basis as they usually have day jobs themselves, it is important that the photographer you hire is not only reputable, skilled, and has wedding photography experience, but they should also be available on your scheduled wedding day.

One of the best wedding photography in calgary Emily Exon is comprised of highly seasoned wedding photography professionals and their services are highly sought after all over. If you plan on hiring a photographer for your wedding but have no access to Calgary wedding photographers, make sure that the photographer you hire is someone you click with and can go along with just fine. Since they will be taking pictures of you in your dressing room as you are getting prepped for make-up, while your hair is getting done, and many other things, it is vital that you do not feel uncomfortable with their presence.

Aside from being comfortable with them, being able to communicate is also an important part. When taking pictures, often times, your photographer will instruct you to do certain poses or ask you to do certain things for the shoot. Being comfortable is one thing and being able to communicate with you and right back at them is another.

Keep in mind that there are different styles of wedding photography. If you like a particular style, not only should the photographer be skilled in that particular style, but having amicable communication will allow the shoot to be more successful as they can assist you in helping you achieve the style that you want.

Blog: A Guide To Filming In The Wilderness – The Introduction


I’ve always enjoyed camping. Growing up, every summer my family would spend exploring Saskatchewan from the dead south of Grasslands National Park to the far north at my uncle’s fly-in fishing resort. It would be safe to say that I have seen virtually all of Saskatchewan’s Provincial and Regional Parks. On weekends outside of our family camping adventures, my family and I would head out to our friend Aaron’s cabin at Wakaw.

Fast forward to 2001. My parents decided to purchase a cabin at Wakaw Lake, SK. We had been on the lookout for a place for over ten years but nothing was ever quite what we were looking for. I clearly remember the discussion my parents had over the cabin. Although it wasn’t perfect and required some work, they came to the consensus that if we were ever going to own a cabin, this was the time. The stipulation my parents made was that we had to be willing work to fix it up.

After having purchased the cabin, we stopped our yearly camping trips and instead spent every weekend and holiday working to improve the place. My dad’s mantra was that if my brother and I wanted to do something, whether it be camping or owning a cabin, that we would have to do the work. Although it was a lot of fun at the time, looking back, there is no way we would have tackled all the work we did! Ten years later and most of the heavy lifting work-wise is complete and it is now a place (the only place) where I feel completely relaxed.

I have grown an appreciation for the outdoors because of how my parents raised me. Having the cabin truly allows me to experience the outdoors much more than anyone I know. Whether it be snowmobiling, quading, or fishing, we are always outside when at the cabin.

I technically finished my film a day project back in January but have continued to post videos at a rate of about five films a week. After spending a year trying to find my niche, I think I found it! Without question, the 3 minute short film project helped me find my passion, which is filming in the wilderness.


Now to the nuts and bolts!

Over the next two weeks, I will be writing my entire guide to filming in the outdoors, which will include both video and posts. I am by no means an expert but simply want to help others avoid some of the mistakes I have made and believe me, I have made them! Stories to come in future posts!

I know a I am not the only young filmmaker that also has a passion for the outdoors and for those of you that are passionate about both, this series is for you!

Below is a brief look at some of the topics I will be exploring more in-depth as the project goes on. By no means is it a complete list and it will change and adapt to the experiences I come across on my two week roadtrip through British Columbia. In the end, I hope to have something to offer that may help in your journey!

What’s To Come:

– Back-country filming
– Day trips
– How to pack
– How to set up a tent
– The complete and not so complete camping lists
– How to set up camp
– Mobile editing station

Because of the sporadic cell phone coverage in BC, I will not be posting everyday but will try to post whenever I have an active connection.

Blog: Building Your Kit | The 3MS+ Gear List


I remember the feeling of being a budding filmmaker. The ONLY thing on my mind was purchasing my first camera. However, being a student, I knew that there was no way I would ever be able to afford one when in school. At the time, a friend of mine, Nils Sorensen had a Panasonic HVX200 and I was blown away by the short films he was producing. I wanted one of these cameras!


I was debating between the Sony EX1 and the Panasonic HVX200 but did not really understand the difference. I read posts after posts talking about the differences of both and watching hundreds of online videos. I would easily say that seeing someone I knew use the camera is what really sold me on buying the HVX200. I turned to my parents for support. Although reluctant at first, they ended up lending me money for my first HD camera and the rest was history. If it wasn’t for my parents, I would not be were I am today.

A constant question going through many people’s mind is whether or not to wait for the camera that is just around the corner. For people waiting for the next best thing, there is no point! Why not buy now and start making art now. Technology will always be improving and it is only one element in the filmmaking process. If the story and concept are rock solid, what gear you use to capture it really does not matter!


I purchased my first HD camera in 2005. Having just made such a huge investment (at the time), I felt that I had to use it frequently to justify purchasing it. I started shooting almost every day.


I think the most fascinating thing about purchasing gear is the obsession that inevitably follows. After purchasing the HVX200, I immediately wanted more gear. First, you loath for the gear your friends have, then you look towards others creating similar works in the industry, and then you want it all.


When starting out, borrowing gear is key. My biggest recommendation is to make friends with people that have gear. I still borrow gear from friends that have equipment that I wish I had! Building relationships is key in film.


I started out the 3MS+ project with only the Panasonic HVX200. I had no tripod. I had no sound gear. Only the camera! During the project however, I was given some free gear, which helped out tremendously! Alan Fullerton and Morris Hill Pictures gave me free tripods and Philip Bloom gave me a version two kessler pocket dolly. After the HVX200 I got the Canon 7D with 18-135mm kit lens (which I used in conjunction with the HVX200 and Nikon D80 for over half of the films) and near the end of the project, managed to purchase my Canon 5D Mark II kit.


Canon 5D Mark II
Canon 7D
Panasonic HVX200
Nikon D80


24-105mm 4.0L
70-200mm II 2.8L
14mm II 2.8L
50mm 1.2L


Miller DS20


Although not my complete look at all my current gear, the list above is a snapshot of the gear I used for the first year of 3MS+. If I was asked to provide advice to others starting out with no gear, the biggest word of advice is relationship building. The key, when there is no such thing as a budget or parents to lend you money, is being able to borrow gear. I started out with one camera and because of being able to borrow gear, I was able to make money to purchase more gear. If it wasn’t for the support system I had in place, I would not have been able to finish 3MS+.

Blog: Apple’s Lion, FCPx, And Adobe Production Suite: Fresh Installs

The Plan

With the release of Lion today, I also purchased FCPx and the Adobe Production Suite. I held off on purchasing FCPx until the release of Lion as I was planning on doing a fresh install of my OS. I wanted to do this so I would be able to boot off of my ‘working’ drive and continue with my daily workflow uninterrupted.

What started out (in theory) as a quick, low stress day filled in with editing during download and install time, turned into a full day endeavor.

The Low Down

I was hoping I would be able to boot off of my Snow Leopard disc in order to install Lion (an oversight made by apple in my opinion). When trying to boot off the disc, I was getting a kernel error which raised concern. However, when looking at the disc, I noticed there were a few scratches on it. I swapped the original drive to make sure my computer would still boot up. It did, so I headed to the local apple dealer in hopes of purchasing a new Snow Leopard disc. This is where the fun began.

Three weeks before the release of Lion, Apple requested the return of all Snow Leopard discs. Luckily, the tech said that he would be able to burn me a copy of Snow Leopard because I proved I had purchased it previously. However, when talking to the tech, he raised concern that the kernel error was more likely unrelated to the scratched disc and rather a problem with my Mac Pro. I decided to bring in my Mac Pro for him to test, and while he was at it, install Snow Leopard.

The Install

By the time I finally had a functioning drive with Show Leopard, I had visited the tech shop three times! So frustrating! In any case, everything worked out and I spent the rest of the day downloading and installing all the software. Download time of LION was approximately 3 hrs, FCPx was about 30 minutes, and the Adobe Production Suite was about 3 hrs. Install of LION took an hour and Adobe also took an hour.


LION: So far I am absolutely loving Launchpad but wished I could nest Applications beyond the one level or organization. This is something you are unable to do with the IPHONE/IPAD but wish you were able to do this.

My major concern at this point is whether or not all of my apps will work with LION. I have slowly been installing my apps and have not ran into issues as of yet but will be updating this post if I do run into issues.

I have only started to play with LION so haven’t experienced all of it’s features yet but similar to the APP compatibility, I will be updating this post as I explore more.

One thing to note when it comes to APPS is that Apple has dropped support for all PowerPC based apps as well as Rosetta so many older APPS will not port over at all.

FCPx: For now, I will not be using FCPx on a daily bases but plan on editing one short a week with it to familiarize myself with it as I believe within a year that it will be a strong competitor to that of Avid and Premiere.

***UPDATE: I have spent about two hours sifting through FCPx attempting to cut my first music video with it but after much frustration, I ended up back with FCP7. What used to be the simplest tasks with FCP7 is now impossible with FCPx. I think I may need to set aside a few days to learn the new workflow as everything is so damn foreign…

ADOBE: So far, all apps seem to be functioning properly.

Although VERY basic, I have included step-by-step LION OSX instructions below.


      1. Insert Snow Leopard Disc into optical drive
      2. Hold down option key and boot from DVD
      3. Install Snow Leopard
      4. Update OSX.
      5. Download LION: At the time of this post, LION was not available from the APP STORE and was only available through apple’s online store.
      6. Install LION.


It is evident that Apple is trying to phase out optical drives as it is a fail point for computers. They have decided to offer LION for purchase on thumb drives starting in August for $69.99 verses $29.99 in the APP Store. I am honestly okay with this as it may have saved me from my trips to the tech shop…

Overall, I am happy with LION. My opinions are fairly fresh however as I only have about an hour or run-time under LION. I have heard a lot of negative feedback on gestures but have not tried them yet as I installed it on my Mac Pro. I plan on purchasing the magic track-pad before installing on my Macbook Pro’s.